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# 《放荡的女人1984》观影推荐
导演Gérard Kikoïne拍这部片子时，没打算用花哨的镜头炫技，反而老老实实地把镜头对准人物之间的细微动作和眼神交流。Christopher Pearson与Sophie Favier的对手戏并不依赖台词推进，而是在长镜头中通过眼神与身体滞留完成情绪渗透，尤其是Favier饰演的Maud在自我暴露与伪装之间的摇摆，恰是影片对“放荡”一词最微妙的解构。 ☆。剧情不算复杂，就是男女之间那点试探、拉扯和失控，但拍得很细腻，很多小动作和眼神都让人心痒痒。 Charlie, a young aristocrat in turn of the century England, meets a boy named Frank on the road to Portsmouth. What Charlie doesn't realize is that Frank is actually Frances, who's donned a disguise to escape working at a brothel. Charlie takes Frank/Frances into his home, and when he discovers her true identity, the two become lovers. He sends her to London to be trained by his mistress in the art of sex, but she learns much more about her identity as a woman. Before the opening credits, explicitly on-screen it reads: "Based on the famous Victorian erotic novel by an anonymous writer".
当风度翩翩的画家Harmstorf（Alain Dumaurier 饰）带着巴黎的气息闯入小镇，Maud的生活被撕开一道口子——她开始同时接纳两个男人的爱，却发现自己真正想要的是从牢笼般的婚姻里逃出去。
♫。
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