如果你正在犹豫要不要看,我可以告诉你:这部片子用超现实的舞台剧质感,把邻里间的拉扯拍出了荒诞黑色喜剧的味儿。吴东旻演的公寓女主人死活盯上李贞贤那扇门,崔喜珍作为邻居却总在关键时刻从门口消失,这种刻意制造“空房间”的叙事手法挺有压迫感。最绝的是结尾那个突然拉上的百叶窗——明明没拍血腥场面,却让观众跟着发毛。影片弱化了大开大合的动作场面,转而通过极具压迫感的氛围渲染,将角色置于极度危险的伦理博弈中。若是喜欢《寄生虫》那种剥开表象看血淋淋生存博弈的观众,这部冷峻的现实派作品才够味。它不煽情也不卖惨,只是在讲述两个被困在狭小空间里的女人如何“野蛮生长”。 Chan-woo, who has been studying to become a police officer for 5 years, joins his friends for dinner to ask for the money to apply for his exam and ends up getting drunk. He completely blacks out and wakes up not remembering what happened in his next door neighbor's room. Not only that, he finds a bloody corpse in the middle of the room. He hurries back to his room and tries to report the incident but he had forgotten his phone in the other room. But the door is locked and he has to resort to using a rope to swing to the next door room outside the window. Once the phone is recovered, he cannot go back because of a group of cultists who are evangelizing the neighbors in the hallway. He knows it’s the last day to apply for his exam and gets antsy as time is running out. 相关搜索: